One of my long forgotten (as much as one could forget a film like Gozu) film loves, I unearthed Gozu as an attempt to explain my tastes at a certain point in my life.  MAN! I feel like as much as I remembered about this film, I forgot all kinds of things (ie. soup ladle).  Slowly, as I watched the film, it all seeped back.  Apparently, the film has a lot like Miike, being unsupervised on such a low budget film, running wild.  I'm hesitant to believe all the stories but things like improvised scenes and giving the writer only a week to write it give the movie a neat little touch. It is unflinchingly outrageous, but doesn't always feel like its trying to be shocking like Miike's Visitor Q.  The film flowed much faster than I remember it.  In fact, in retrospect, it probably moves a lot faster than Miike's shorter films.  Impressive considering it's two-hour plus (barely) length and what I feel is films like this tendencies to drag.  It does have a very satisfying feelings of having traveled a very long way.  As the film ends, I remember how it begins and am surprised to have been watching the same movie.  Although, I do think perhaps the film could have been edited quite a bit.  I'm rather surprised at the films length considering how... well... unnecessary some scenes are.  But the films has a distinct feel, and I wouldn't want to touch it.  

High five!
 
No comments:
Post a Comment